By David F. Garcia
Arsenio Rodr guez used to be some of the most vital Cuban musicians of the 20th century. during this first scholarly examine, ethnomusicologist David F. Garc a examines Rodr guez's lifestyles, together with the conjunto musical blend he led and the hugely influential son montuno form of song he created within the Nineteen Forties. Garc a recounts Rodr guez's conflict for acceptance on the top of mambo mania in ny urban and the importance of his song within the improvement of salsa. With firsthand debts from kinfolk and fellow musicians, "Arsenio Rodr guez and the Transnational Flows of Latin renowned track "follows Rodr guez's fortunes on a number of continents, speculating on why he by no means loved huge advertisement luck regardless of the significance of his track. Garc a specializes in the jobs that race, id, and politics performed in shaping Rodr guez's track and the trajectory of his musical profession. His transnational standpoint has vital implications for Latin American and well known tune studies."
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Arsenio Rodr guez was once some of the most very important Cuban musicians of the 20th century. during this first scholarly examine, ethnomusicologist David F. Garc a examines Rodr guez's existence, together with the conjunto musical blend he led and the hugely influential son montuno type of tune he created within the Forties.
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Extra info for Arsenio Rodríguez and the Transnational Flows of Latin Popular Music
In discussing the music of Gilberto Valdes, a white composer of the afrocubanismo movement, Arredondo stated, "The rhythms that Valdes revives were from a bygone era of our musical development. , Spanish rhythms] in a process of superaci6n and synthesis what today is called Cuban music" (Arredondo 1938, p. 5). By eschewing the black vernacular traditions of their respective nations, Locke, Urrutia, Arredondo, and many others conceded to some of the tenets of white supremacy (see Ramsey 2003, p.
It was also a promising means by which he could achieve artistic and personal recognition. He undoubtedly was aware of the social challenges he faced. But as his musical accomplishments reflect, he was committed to overcoming what might have seemed to be insurmountable odds. C. ) Arsenio began by introducing himself and his music: Good afternoon ladies and gentlemen ... 1 am Arsenio Rodriguez, the composer of many songs, principally African, which you have heard. hear Miguelito Valdes sing, "Bruca manigua," "Fufuiiando," and "Adios Africa," which Xavier Cugat recorded, and many songs which are sung all over the world, all of which have an African influence from my heritage.
On the other hand, the strict working conditions brought forth cohesion among musicians and served as a testing ground for many charangas and son groups that would later become nationally and internationally popular (Valdes Cantero 1988, pp. 43-45). Despite the dance academy's significance in the development of son music and performers, it was stigmatized for its association with prostitution. There were other significant advantages for Arsenio in performing with Bellamar at the Sport Antillano.