By Pablo Ellicott Yglesias (auth.)
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Extra info for ¡Cocinando!: Fifty Years of Latin Album Cover Art
Though the cover sports a clumsily An influx of santería themes worked their way into collaged display of Christian saints and seems through late 1960s and early 1970s salsa. Ely Besalel’s cover its “inept” presentation to be a budget knock-off of for La Lupe’s La Reina: The Queen on Tico might be the some kind, it was in fact a notably influential recording first instance of a non-folkloric recording that puts Afro- made with serious intent and conviction, one of the few Cuban spiritual identity up front for all to see.
A conga and cigar logo coupled with a tobacco-leaf header, color-coded for each decade, helped tie the series together. World Pacific’s own Castro-era series, The Music of Cuba, was the first of its kind. El jazz cubano actually utilizes a painting depicting flamenco artists in Málaga, Spain. Continuing that bright, festive feeling, Cubanborn muralist and painter Viredo Espinosa’s 1997 acrylic The Cabildo Is Coming graces Poncho Sanchez’s Picante release, Afro-Cuban Fantasy. Viredo spent years 43 It has been said that Mongo Santamaría was reticent to mix the sacred and the profane in his music, but he had no problem adapting his friend Silvestre’s fiveconga attack to his own sound.
Ever seen in Latin jazz. In those days the liner notes were the only literature we had to learn about the music and who was creating it, and Cal’s were fantastic. ” LATIN JAZZ Back in 1953, Tjader, a vibist, along with bassist Al McKibbon and pianist George Shearing, heard Tito 1940s–PRESENT Puente and Machito at the Palladium and were thus inspired to incorporate Latin rhythms and melodies into Machito’s LP [ Afro-Cuban Jazz ] was one of those their arrangements. Shearing’s Latin Escapade sold documents that changed my life.