By Costas Constandinides, Yiannis Papadakis
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Extra resources for Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe
A case in point is Akamas, a fiction film directed in 2006 by the Greek-Cypriot filmmaker, Panicos Chrysanthou, and co-produced by the Turkish-Cypriot filmmaker, Derviş Zaim. Chrysanthou and Zaim have accused the Ministry of Education and Culture in the south of censoring the film by limiting public screening and television broadcast— a contested claim—and of waging a “financial war” against them, ultimately withholding funding that it had contracted to provide during the production of the film.
Lialapithi. htm (accessed June 18, 2013). —2009. ” In Media and Nationalism: The Basque, the Catalan, the Northern Ireland and the Scottish Cases, edited by Christina Perales, 115–29. Vic, Spain: University of Vic/ Eumografic. —2012. ” Journal of Literature and Art Studies 2, 9: 897–904. Sorlin, Pierre. 1980. The Film in History: Restaging the Past. Totowa, NJ: Barnes & Noble Books. Spencer, Jonathan. 2007. Anthropology, Politics and the State. Cambridge: Cambridge University Press. Suner, Asuman.
B. Tauris. Kitromilides, Paschalis. 1979. ” In Small States in the Modern World: The Conditions of Survival, edited by Paschalis Kitromilides and Peter Worsley, 143–84. Nicosia: The New Cyprus Association. Kleanthous, Alexis. 2005. O Kypriakos Kinimatografos (1962–2005) (Cypriot Cinema). Athens: Egokeros. Kleanthous-Hadjikyriakou, Soula. 1995. “Kypriakos Kinimatografos: Provlimata kai Prooptikes” (“Cypriot Cinema: Issues and Prospects”). In The History of Cinema in Cyprus, edited by Nicos Shiafkalis, 163–5.